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Program for February 16, 2019 First Baptist Church
Videorecording of this concert

The Marriage of Figaro (Overture) (1786)                W. A. Mozart (1756–1791) trans. (1958) Earl Slocum
In the opera, The Marriage of Figaro, Count Almavira’s personal valet, Figaro, is to wed Susanna, the Countess’s maid, yet the count is trying to seduce Susanna. Much scheming ensues from all parties, and clever trickery by Figaro and Susanna results in everyone ending up with whom they should. Earl Slocum’s transcription of the overture to the opera has delighted band audiences for more than sixty years.
 
Deir’ In De                                                                                    traditional, arr. (1990) Warren Barker
The Irish lullaby describes a scene about minding cows in the pasture and returning home after sunset. Arranger Warren Barker was an accomplished Hollywood composer, arranger, and conductor who also wrote for bands.
 
Entry March of the Boyars (1893)                     Johann Halvorsen (1864–1935), ed. (1990) Frederick Fennell
The Boyars were aristocrats in Russia, Romania, and other countries in that part of the world. An historical account of Boyars entering Bucharest inspired this march, originally written for orchestra.
 
Partita for Band (2015)                                                Timothy Broege (1947)
  1. Fanfare
  2. March
  3. Blues
  4. Rondo
 The wildly contrasting components of this suite draw from several musical eras.
 
On the Quarter Deck (1917)                             Kenneth J. Alford (1881–1945)
Frederick Joseph Ricketts was known as the British march king, but due to his position as a military bandmaster, he wrote under a pseudonym. This march commemorates the battle of Jutland that was during WW I.
 
English Folk Song Suite (1923)                Ralph Vaughan Williams (1872–1958)
  1. March—“Seventeen Come Sunday”
  2. Intermezzo—“My Bonnie Boy”
  3. March—“Folk Songs from Somerset”
In the early 20th century, collecting folk music from indigenous singers was very popular, and composers made great use of these songs in their work. The distinguished British composer Ralph Vaughan Williams arranged several songs for military band, one of the first serious compositions for a large ensemble of winds and percussion.
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  • Home
  • FAQ
  • Past concerts
    • 2009–2010 >
      • October 11, 2009 >
        • December 13, 2009
        • February 14, 2010
        • April 18, 2010
    • 2010–2011 >
      • October 10, 2010
      • December 12, 2010
      • February 13, 2011
      • April 17, 2011
    • 2011–2012 >
      • October 16, 2011
      • December 4, 2011
      • February 12, 2012
      • April 16, 2012
      • June 6 & 9, 2012
      • July 3, 2012
    • 2012–2013 >
      • October 14, 2012
      • December 9, 2012
      • February 10, 2013
      • April 14, 2013
      • July 3, 2013
    • 2013–2014 >
      • October 6, 2013
      • November 10, 2013
      • February 9, 2014
      • April 13, 2014
      • July 3, 2014
    • 2014–2015 >
      • October 19, 2014
      • December 14, 2014
      • February 15, 2015
      • April 19, 2015
      • July 3, 2015
    • 2015–2016 >
      • October 18, 2015
      • December 13, 2015
      • February 7, 2016
      • April 17, 2016
      • June 3 & 4, 2016
      • July 5, 2016
    • 2016–2017 >
      • October 16, 2016
      • December 11, 2016
      • February 12, 2017
      • April 9, 2017
      • July 4, 2017
    • 2017–2018 >
      • October 15, 2017
      • December 17, 2017
      • February 11, 2018
      • April 15, 2018
    • 2018–2019 >
      • October 13, 2018
      • December 15, 2018
      • February 16, 2019
      • April 13, 2019
    • 2019–2020 >
      • October 12, 2019
      • December 4, 2019
      • February 15, 2020
    • 2021–2022
  • Musical examples
  • Friends and members
    • Friends of the MCB
    • This page is password protected
  • Contact us
  • Resources
    • How To Play Faster By Practicing Slower, In Less Time Than You Think
    • Rules for Ensemble Playing
    • Five Steps to Being a Better Band Member
    • Performance Anxiety
    • Learning to Play the Saxophone at Age 82
    • Mark Your Parts!
    • Playing for Fun
    • Tuning
    • Twelve Major Scales
    • Uneven Technique?
    • Fennell's Points for Performance
    • Article in Madison Magazine